The Islamic mafia's terror network - Part 1




The Islamic mafia's terror network - Part 1

COPIED FROM THE SWORD OF TRUTH
Issue# 1999.24
June 14th, 1999

The Islamic mafia's terror network - Part 1 by Aditi Chaturvedi

On August 12, 1997 a loud series of shots rang out outside the Jeeteswar Mahadev Mandir in Mumbai. They were just one in a sequence of warnings about the state of our nation, and yet just as before, we Hindus refuse to wake up and face the truth. The event that occurred outside the Mahadev Mandir in Mumbai that fateful day, was not particularly outstanding when seen in the context of the daily reinforcement of the fact that India is in the hands of Muslim terrorists. The victim on this particular day happened to be a plump, short media baron, known as Gulshan Kumar.

Who was Gulshan Kumar, the Cassette King? He started out life as a humble fruit juice seller's son in Darya Gary market in Old Delhi. He wanted to make it big in Bombay and he did, by cooking up innovative ways to pirate popular music. Super Cassette Industries, his flagship company and its low price high volume strategy ushered in a musical revolution. Pretty soon he had the leader of the pack , HMV India itself, chomping at the bits in order to compete with him. Using all of his fortunes from his music production company in Noida, near Delhi to finance his film production business, Gulshan Kumar soon became the owner of a vast 400 crore rupee empire.. He was the highest tax payer for the financial year 1992-93.

It was with his foray into the Indian film industry that Gulshan took his first step into the jaws of the Muslim Mafia network without which Bollywood simply can not exist. For decades the film industry has been the money spinning machine and media arm of the Islamic Mafia. The Indian film industry serves a twofold purpose for the international Islamic Mafia which is headquartered in UAE and Pakistan.

1) With a turnover of over Rs. 7000 Crore, the Indian film industry has become one of the biggest money making operations for the Islamic Mafia. Although it is not as profitable as drug-trafficking, sale of illegal arms, prostitution rings or counterfeit money, it certainly does help to line the pockets and provides valuable interface to politicians and industrialists who are enamoured of the glamour and glitter of Cinema magic.

2) But the real reason why the Indian film industry is so important to the Islamic Mafia, is the fact that it serves as the best possible propaganda tool in a country of over 950 million people. A blatant glorification of Islam and an utterly distorted insulting portrayal of Hinduism are the tools that it uses constantly to affect Indians' psyche and effectively utilize information warfare. Hindu culture is consistently given the mantle of a backward, intolerant, illogical culture, whereas Islamic concepts, ideas, and judgements are given the legitimacy of truth. One of the most successful byproducts of this psychological manipulation has been the corruption of Hindi, via the glorification of Arabicised Urdu words. In popular films and music, Urdu is always used in order to condition the Indian public. In other instances, terrorism which usually stems from Islamic quarters in India, is attributed to Hindu groups in movies! Islamic terrorists are portrayed as martyrs on screen. Islamic ideas are touted as progressive whereas Hindu ideals are dismissed as outdated and illiterate. Urdu is the language of "civilized" sophisticates, Hindi is the language of "Ganwaars" or village idiots. These are just a few examples of the objectives which the control of Bollywood provides to the Islamic Mafia.

On August 12, 1997, nothing appeared to be out of the ordinary as the familiar portly figure of Gulshan Kumar attired in white kurta stepped out of his car in front of the Jeeteswar Mahadev Mandir that fateful day. A simple Thali of offerings for worship of Lord Shiva swayed in his plump hands as he started walking towards the shrine. His devotion to the divine had been steadfast in its earnestness. A huge portion of his wealth had gone into beautifying and enhancing the pilgrimage experience of Vaishno Devi for pious devotees. It was his efforts which had rekindled the sound of early morning Bhajans in Indian households all over the country. Despite the allegations of piracy and fraud, he had focused all his energies into what he viewed as an offering to God. As the assassins pumped his frame with bullets, the last words heard by Gulshan Kumar were:

" Bahut ho gayi teri puja, ab upar ja ke aur karo" (You have prayed enough to your idols down here, now go up there and do it.)

A chilling reminder of the fact that Islam and the Islamic Mafia will do its best to eliminate any Hindu who dares to reaffirm his faith loud and clear in India.

Who were Gulshan Kumar's enemies? What was his crime?

The clues to the answer apparently lie with music director Nadeem Saifee. In 1997, Nadeem's solo album Hai Ajnabi bombed. He wanted Gulshan Kumar to finance his next private album. Gulshan Kumar wisely decided that Nadeem was not destined to be a chartbuster and refused outright. An enraged Nadeem who was obviously used to displaying arrogance in lieu of his Islamic godfather's protection started threatening Kumar saying "Have you got a call or not? My "Chahnewaale" (friends) will call you. You don't know who I am."

By May 1997, Abdul Qayoom Ansari alias Abu Salem, a 29-year-old Dubai-based member of the Islamic Mafia, who is also known as one of the "arms" of kingpin Dawood Ibrahim, had called up Gulshan Kumar on his mobile and curtly told him to call back at a Dubai mobile number. When Gulshan called the number back, an amount to the tune of 10 Crore Rupees was quoted and Kumar was threatened with dire consequences if he failed to cough up the dough. Kumar, a man who had managed to survive in the Film Industry long enough without giving in to the Islamic Mafia of ISI's underworld dons, refused to pay outright. Even when Abu Salem sent his Mullah terrorists to Gulshan in person, the wary devotee refused to budge an inch. .

Who is Abu Salem?? He is accused number 87 in the Bombay bomb blast case. He was charged with procuring nine AK-56 rifles at the command of Dawood's brother Anees Ibrahim. Mumbai courts issued an arrest warrant against him in 1993 ``for conspiracy to cause explosions with intent to cause death and damage to property.'' If caught and convicted he faces the death penalty. In 1995, Interpol had issued a Red Corner alert for him. In 1997, the UAE government received extradition papers for Salem from the CBI upon request.

The first ever trap (which is known as `fielding', in the underworld slang) was laid with the blessing of nadeem and his "godfather" Dawood . The trap for killing Gulshan Kumar was laid between July 15 and 20, while he was shooting for his forthcoming untitled film at the Jasdanwala Bungalow at Aqsa Beach, Malad. Two teams from the gang maintained a watch on his movements but failed to strike either because of the milling crowds around him, or for the fact that he was shielded by his Punjabi bodyguard.

When Gulshan Kumar refused Abu Salem's threats of extortion, he was enraged at the "Kafir" Hindu's insolence and ordered the hit. Apart from Kumar's 250-crore annual turnover from Super Cassettes and Music Industries, his religiosity and lavish expenditure for devotional purposes including a `langar' at Vaishnodevi temple, where Rs 5 lakh was spent every month had become eyesores for the Islamic Mafia.

Abu Salem had been chosen as the key operational head in Bombay by Dawood himself , due to his incredibly cruel and brutal nature. He was also given charge of handling extortions and hawala transactions on Dawood's behalf. In April, Abu Salem began by calling up top film producers asking them to pay up. About 20 top film personalities were personally contacted by Salem over the span of two months. The figures he quoted as extortion payments were in hundreds of crores. Over 95% of the Movie moguls simply paid and never informed the police. Salem's men attacked producer-director Rajiv Rai at his Tardeo office, which led Rai to flee to London. He never returned since. Later that April an attempt was made on Subhash Ghai's life which was foiled by alert police. Salem himself had telephoned Subhash Ghai asking him to pay up. The Indian Film Industry was serving its purpose as the money making machine which churned out Millions of Rupees in liquid assets for Dawood and ISI to create mayhem, death and destruction all over India. Not one moviemaker had the guts to resist, every single one of them was deeply involved in this deep seated treachery and anti national activity which killed Indian citizens every day.

Was it simply because Gulshan Kumar did not give in to this nefarious plan, that his body lay riddled with bullets in front of the Temple steps in Mumbai that day? Hardly. As the details began trickling in, it became apparent that the plot to kill Gulshan Kumar had been hatched on June 12 at Dubai when a galaxy of Indian stars participated in the opening of a luxury hotel owned by Vivek Goswami a narcotics dealer linked to Chota Rajan another underworld non-resident Indian don. As investigations continued, more rivalries began surfing. Ramesh Taurani - owner of Tips another rival to Super Cassette, was identified as an associate of Dawood Ibrahim's gang. The investigation led the police to interview filmstars Pooja Bhat, Salman Khan and Shravan among others.

Bollywood's links with Mumbai's underworld were always known. But the extent of its involvement with the Islamic Mafia became apparent only after Gulshan Kumar's death, a man who was murdered simply because he was a Hindu success story. "When the underworld approaches you, you cannot refuse.", these were the chilling words of Nadeem Saifee, the main accused in the Gulshan Kumar murder case.

A month later a casual friend of Gulshan Kumar and writer-director Mukul Anand died unexpectedly of a "heart attack" in his sister's home in Mumbai. Anand had been in the process of making a movie on Kashmir which went against the Islamic Mafia's propaganda plans. The film was being shot in USA on the pretext that the environs resembled those of Kashmir. The reality was quite different. Anand had been threatened and he and several of his associates were frightened enough to go into hiding when they returned to India to raise more money for the movie. A relative of the executive producer was slain by a killer on a motorbike. And then all of a sudden Mukul Anand suffered a surprise "heart attack"....

What is even more shocking to discover is that EIGHT months before Abu Salem ordered the cold blooded of Gulshan Kumar , the CBI had requested his extradition from the UAE government. However, the request became just another of the 35 others pending with the Government of United Arab Emirates and like the other requests, this too was put on the backburner. The CBI is not too optimistic about getting back any of the members of the Dawood gang, hawala dealers and arms and drugs smugglers who are responsible for the most heinous crimes committed against India.

The Arab provision of shelter to these hard core terrorists and criminals provides convincing evidence that the conspiracy to create chaos and panic in India stems from the Islamic world in general. Dawood Ibrahim follows and carries out the directives of Pakistan's ISI and oil rich Arabs, who take pride in their Islamic fanaticism. It is he and his deputies who mastermind all of the major terrorist attacks and hardcore crimes which take place in India. As the disturbing facts about Gulshan Kumar's murder were unearthed, an incredible pattern of internally linked networks which are sustained by the Islamic Mafia become apparent. The crimes begin with low level extortions and proceed higher up the ladder with the all too willing Indian movie industry, as well as heads of major corporations in India and finally goes all the way up to the politicians who hold the highest positions in the land.

The breadth and depth of this net of crime and the virulently anti Indian activities it breeds are spread unimaginably far. The extent of involvement is so deep, that the public knows not even one hundredth of the details of this story.

Next week I will delve further into the underworld net of the Islamic Mafia which has spread its poisonous tentacles deep into India's soul. The implications will shock all nationalistic Indians beyond belief.

Aditi Chaturvedi
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The Islamic mafia's terror network - Part 2

The Islamic mafia's terror network - Part 2


COPIED FROM THE SWORD OF TRUTH
Issue# 1999.25
June 21st, 1999

The Islamic mafia's terror network - Part 2 by Aditi Chaturvedi


Last week we had ended with the catalytic event of Gulshan Kumar's death and the incredibly complicated Islamic Mafia terror network that it unearthed. Although Gulshan Kumar was certainly not the first victim of the Muslim Mafia, nor was his death the first indicator of the underlying network, but what was truly shocking about the murder of Gulshan Kumar was the brutality of the killing. In addition, the fact that an eminent individual like Kumar could be murdered in broad daylight on the streets of Mumbai, proves as a chilling wake up call to the extent of power that the Islamic Mafia has come to wield.

However the most troubling aspect of this incident was the implication that the film industry of India, which wields perhaps the maximum media influence on its impressionable public, was so deeply entrenched in the dirty miasma of terrorism and crime. Bollywood's link with this dark and sinister world is nothing new. Over 95% of the Indian Film industry is not only aware of the Islamic Mafia, but also deeply involved in courting and patronizing them. The remaining 5% are fully aware of the problem but find ingenious ways to avoid the net. The ones who successfully manage to pull off this feat however usually turn into prime targets, as was the case with Gulshan Kumar.

That Nadeem Saifee, the prime accused in Gulshan Kumar's murder , was deeply involved with the Islamic Mafia is an understatement. Further investigation into his background provides clear proof of his complicity. During the Mumbai riots in 1993, Nadeem was sheltered by Yusuf Lakdawala, who is a film producer well known for his connections to Dawood and the Mafia. Lakdawala was later also implicated as one of the accused responsible for the Bombay bomb blasts, which had been engineered by the ISI through the underworld.

Abu Salem was a well known good friend of Nadeem who always made it a point to make social calls and sent complimentary gifts to keep Salem satisfied. During his police interrogation, Nadeem could not deny his acquaintance with Abu Salem. He claimed that he met Salem only once during a casual visit to a restaurant. According to Nadeem's own confession " Shravan and myself were eating in a restaurant. Abu Salem approached us saying he was a big fan of our music. Shravan and I had earlier faced some problems and we were confused about whether we should respond if approached by such people, but you know we are also scared for ourselves. What are we meant to do? Anyway, it's not just me and my partner who met Abu Salem. Everyone in the film industry meets these people."

Nadeem's confession provides clear hard evidence of Bollywood's relationship with the Muslim Mafia. Other pieces of evidence also began surfacing which helped to piece together the puzzle of Nadeem's actual role in the Mafia network. It seems apparent that Nadeem was a point man, meaning an industry informer for the Mafia. He would convey crucial information such as, who was making money, who signed up for a film, current prices and which films to sabotage, etc. The information was essential for the Mafia to determine targets for extortion, whom to threaten and sabotage. In fact Nadeem even had the audacity to call up Gulshan Kumar once, where he pressurized him to "talk to the people in Dubai" to settle disputes between music companies.

Nadeem had used his clout with the Mafia to threaten people in the film industry before as well. During the making of Hindi film "Baazigar", Nadeem was irritated at yesteryears actress Tanuja for her curt manner towards him. She was the mother of the film's heroine, Kajol. An embittered Nadeem urged the production company Venus to remove Kajol from the film. However when Venus refused, the incensed Nadeem Shravan duo proceeded to walk out of the film. The project was handed over to another music director, Anu Malik. This enraged Nadeem even further and he decided to call a press conference solely for the purpose of accusing Anu Malik of plagiarism. One of the journalists present there pointed out that Nadeem himself had plagiarized quite a few tunes. At this Nadeem was infuriated and shouted to have him thrown out. Before the journalist was unceremoniously expunged however, all those present clearly recall Nadeem's chilling threat to the journalist, "Don't act too smart. I'll finish you."

When the police began their investigation of Kumar's murder, one of the first steps they took was to question the Bollywood stars who had accompanied Nadeem to a Bollywood show in Dubai. The event was held in June 1997, it was a free musical show at the inaugural function of a luxury hotel owned by Vicky Goswami, who is a drug smuggler working for Dawood and other members of the Islamic Mafia. It was during this show that the entire sordid murder of Gulshan Kumar was plotted by Nadeem and his "Bhaijaans". The list of Bollywood stars who performed free for the druglord's show included Salman Khan, Shah Rukh Khan, Pooja Bhat, Chunkey Pandey, Aditya Pancholi, Deepti Bhatnagar, Jackie Shroff, Atul Agnihotri, producer-directors Boney Kapoor , Pehlaj Nihalani, playback singers Alka Yagnik, Sapna Mukherjee and Abhijeet to name just a few. Although many of the stars were not aware of the plot being hatched behind the scenes, they were more than well informed about their host and sponsor and his drug smuggling connections.

The police also questioned Manish Goswami, who is Vicky Goswami's brother and producer of popular Indian TV serials. There was even a videotape of the glittering star studded event in Dubai. Meticulous scanning of the videotapes and testimonies revealed a sinister plot to the police. It is now clear that Nadeem met with representatives from Gulshan Kumar's competitors. The foremost among these was Tips music company, but Time Audio and Vasta were also involved. The owner of Tips in fact delivered Rs. 25 Lakh to an associate of Abu Salem to carry out the contract killing of Gulshan Kumar. The plan was set and money was exchanged to put things in motion.

These suspicions were confirmed when the six murderers of Gulshan Kumar were captured by Mumbai police. The statements that they gave during interrogation clearly implicate Nadeem. Kumar's murder was a contract killing in the traditional style of the Islamic Mafia. Over Rs. 40 Lakh went into the deal. Nadeem Saifee was involved to the very end, as he arranged the money and the purchase of two Maruti cars, two motorbikes, a mobile phone and six pagers for the murderers.

Immediately after realizing that he had been caught at his game, Nadeem fled Mumbai and escaped to London. When the Indian Police contacted him about the imminent arrest, he gave the investigating officers in Mumbai the impression that he would return to India. However later on, he pleaded his inability to leave the side of his wife Sultana, who had suffered a miscarriage in a Middlesex hospital in the fifth month of pregnancy. "My baby daughter has just died. My wife is so sick. Yet, you expect me to leave all this and run back to India to face a set up?" he had said.

Finally the Mumbai police were forced to move extradition proceedings against him in England. However the last attempt by the Mumbai Police to secure the extradition of a member of the Islamic Mafia had ended in disaster. The previous case was against Iqbal Mirchi who was accused in a major drug-trafficking case. But the case was dismissed in the same Bow Street court where Nadeem has been summoned. Mirchi owns properties and businesses in Britain, Dubai and Australia and hobnobs with British politicians. He had engaged high-profile lawyer Miscba De Reya to represent him. Mirchi's lawyer claimed that the case against his client was "trumped up and part of the harassment of the Muslim community by the Mumbai Police".

Nadeem will naturally use the same excuse to escape. His comments to the Press have already indicated his motives and future objectives. In a nauseating interview to a British tabloid, Nadeem made statements such as "I would go back if I could be sure of a fair trial, but the Mumbai Police are looking for a Muslim scapegoat. Those with vested interests can't stomach the fact that a Muslim like me can be successful and bold in India!"

When the trial began, Nadeem's counsel Clive Nicholls grilled the Prosecution's witness, Justice ML Pendse who is a retired Chief Justice of Karnataka High Court and was formerly on the Mumbai bench. Mr. Pendse, was presented as an expert witness on the Indian judicial system to answer questions about the alleged " human rights abuses on minorities" by the Indian Police. Justice Pendse was a very convincing witness on the stand. When asked about the alleged "atrocities on minorities," he pointedly replied Nadeem was unlikely to suffer discrimination owing to his Muslim identity, since in his entire judicial experience "religious bias" had never been a problem with the Indian judiciary.

Nadeem's lawyers tried their best to discredit his testimony. He was insultingly asked by them if he was "out of touch" with the realities of the legal process in India. Justice Pendse also admitted at the very outset that he had never heard of Nadeem Saifee until this particular case began. At that Clive Nichols, Nadeem's counsel, asked in a feigned incredulous tone, "Nadeem Saifee is one of the most famous musicians in the country. Have you have never heard of him?" "I don't watch Hindi movies. I only listen to classical Indian music," came Mr. Pendse's masterful reply.

We will have to wait and see if justice will be served to Nadeem Saifee. Going by the past instances where Britain has provided shelter to Islamic terrorists and Mafia ganglords, however, this seems highly unlikely.

In my next article I will detail how the hand of the Islamic Mafia reaches into the heart of Bollywood and even beyond that into the realms of television, Industry, and finally politics, all of which have immensely grave ramifications for the security and survival of India.

(To be continued...)

Aditi Chaturvedi | Your comments | Forward it to a friend
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The Islamic mafia's terror network - Part 3

The Islamic mafia's terror network - Part 3
COPIED FROM THE SWORD OF TRUTH
Issue# 1999.26
June 28th, 1999

The Islamic mafia's terror network - Part 3 by Aditi Chaturvedi

(Continued from last week...)

How deeply has the virulence of the ISI led Islamic Mafia infested the heart of India's film industry. To the core, by any indication. Bollywood is replete with concrete examples of the role that film personalities play daily in the setup of the Islamic Mafia. The dream factories of Bollywood are nothing but puppet establishments that owe their allegiance to the most murderous Muslim criminals that live on the other side of the Arabian Sea. Here are some of the most famous examples of Bollywood's complicity with the Islamic terror network, to prove my point.

Sullying Ganga's name
Picture the scene, a voluptuous young girl wearing a drenched piece of transparent white cloth sits under a waterfall, the sheerness of the fabric clinging to her skin and the rushing flow of the water expose everything under the flimsy cloth. Most of India was shocked at the obscene attempt to display nudity in such a sneaky underhanded way. But the censor board did not cut out the scene from Raj Kapoor's latest kick in the pants to Hinduism. That girl was a poor Christian who was looking for ways to sell her body for money. The "Showman" of Indian films Raj Kapoor saw his chance to exploit her assets and cast her in the role of a "virginal Ganga" in his "Ram Teri Ganga Maili Ho Gayi" and hey presto, Mandakini was born. In spite of Raj Kapoor's grotesquely insulting portrayal and shameless usage of misnomers, the Indian public was too busy looking at "Mandakini's" ample bosom to care much either way. Sitting in his multi tiered mansion Dawood Ibrahim too must have sat up and noticed, and decided then and there that she would make a good addition to his ever increasing Harem.



The "virginal" Mandakini
exposing her assets.

Thus it was that a "concert" was arranged in Dubai with the ubiquitous troupe of singers, musicians, and film stars. Mandakini was invited as a special guest by Dawood himself. The young girl must have been dazzled at the sleek luxury sedan which came to pick her up at the airport. She must have been flattered too to be receiving the attention of one of the richest criminals of the underworld. Mandakini must not even have paused to wonder for a second at the appropriateness of what she was doing, for it was a well known fact that Bollywood actresses could be had for a song or an expensive trinket or two by the Muslim dons of the Islamic Mafia. She was only too happy to oblige. Her producers and directors began getting impatient after waiting for more than a few days for her return, but yet there was no sign of Mandakini. Days slowly turned into weeks and then months, but all of a sudden a hush seemed to descend on the Film Industry, whenever a question was asked about Mandakini. Soon the period of her absence reached nine months and it was then that the whispers got louder, "She's having his baby", the word was heard. Indeed. "Mandakini" the young Christian movie star from Bombay who was christened so in an insulting reference to the Hindu River Goddess Ganga, the most "virginal" of virgins, according to Mr. Raj Kapoor, was pregnant with the child of Dubai's most notorious underworld criminal!

And going by the whispers this wasn't the first time a Bollywood actress had had the privilege of bearing his progeny. What was quite clear however is that Dawood was not going to stoop so low as to actually marry a woman of such low virtue as an Indian film actress. And so the trimester came and went, the ninth month passed and no one got a glimpse of Mandakini. Soon the story seemed stale, the gossip began turning to other issues of more interest and Mandakini was forgotten. She was incognito for years and then suddenly she returned, but there was no trace of a child! Was the "burden" simply disposed off like so many others before it or was it simply incorporated into the fraternity of illicit bastardhood as so many of the results of Dawood's previous "Filmi" conquests had been, who knows?

But one thing is clear, Mandakini came back loaded with quite a few extra pounds as well as a truckload of hard cash.

Wedded to Death
On April 5, 1993 at midnight, a young beautiful 19-year old stepped out on the window ledge of her fifth floor apartment. Neighbors heard her wailing loudly and berating her fate. Moments later she had simply stepped off the ledge and lay in a crumpled heap on the ground. Her battered corpse lay on the ground for hours till morning when the Police came to investigate. They discovered that the girl was none other than Divya Bharati, an phenomenally popular actress. What could have prompted one who had seen so much success to such desperation??



Divya Bharati

The answer lay with her husband Sajid Nadiadwala, a notorious Muslim associate of the Islamic Mafia. He was a well known film producer who had been married several times before and was known for his penchant for pretty new faces. He had married Divya Bharati in May 1992 but the marriage was kept a complete secret. Why? That was the ultimate question. The answer was startling but not entirely unexpected. Divya Bharati had been threatened and "cajoled" into marriage with Nadiadwalla. She was a tempestuous young girl who had captured the audience's attention. And it was in her that Nadiadwalla saw his golden goose. He had her signing films left, right and center, while he pocketed the cash. When the erratic young actress complained about the secrecy of the marriage and wanted to announce it to the world, Nadiadwalla threatened her with dire action. He simply couldn't afford to have a Divya Bharati who wasn't attractive to the audience anymore because of her married status. He wanted her to reveal as much of her assets as she possibly could so that the money would keep pouring in. When a sulky Divya started complaining, Nadiadwalla physically abused her thoroughly. Battered and bruised the young girl resigned herself to her inescapable destiny and started drinking heavily, as well as relying on drugs to sustain her through the bouts of manic depression. Nadiadwalla was only too happy to supply the drugs which would keep her going.

But on that particular night of April 5, 1993, Divya Bharati had had too much to drink. She couldn't control her anger and desperation at being manipulated by the cold calculating mobster who ill treated her every day. Even as her rage surged, Nadiadwalla coldly told her that she would be sleeping with his clients in future transactions. At that point Divya Bharati snapped. She screamed at him, hurling the choicest word of abuse and spewing epithets about pimping. Even as the neighbors cringed in their beds and pretended not to hear, there was a loud reverberating crash. And the next moment, the future superstar of Indian cinema lay dead on the ground, a compressed heap of bones and mangled flesh soaked in a pool of blood. For hours her corpse laid there, as her husband went back into the bedroom with his other girlfriend for the night...

Two days later, in an obscene mockery of fate, her corpse was bedecked in bridal finery and besieged by thousands of anguished fans in a final funeral procession. Sajid Nadiadwalla wept uncontrollably and had several fainting spells during the procession. Hundreds of members of the film fraternity of Bollywood were there for the macabre dramatization. Every one of them knew what had been the real reason for Divya Bharati's death, even as they gave interviews on TV, about the young actress's "disturbed mental balance" and "clear indications of her inebriated state which led to suicide". And through it all Divya Bharati's corpse lay there, her wish to be publicly displayed as a bride finally fulfilled, the ultimate irony of truth.

The One Who Got Away
On March 12, 1993, twelve huge bomb explosions rocked the city of Bombay killing more than 300. The first blast rocked the Bombay Stock Exchange. Eleven more major detonations and several minor ones, most caused by car bombs, shook the center and some of the suburbs of India's largest city. Soon more bombs followed at the Searock Hotel and the Victoria Terminus. The city lay in flames. Dawood Ibrahim and the Islamic Mafia had taught India a lesson that would be hard to forget. The menacing message was loud and clear, those who dared to shake up Allah's established order by breaking the Babri Masjid would pay for it with the life of thousands of innocents. It was another matter altogether that the Masjid's of Allah were built on stolen, misappropriated land by vicious conquerors on the site of Hinduism's holiest and most revered shrine. The Babri Masjid of Ayodhya was the ultimate symbol of Hindu defeat, by destroying it the Indians had invited the wrath of the ISI nurtured mobsters of Dubai.



Sanjay Dutt,
the Bollywood Terrorist

Even as the bomb explosions rocked the center of Bombay city, Sunjay Dutt was lying on the beach in Mauritius shooting for a film called "Aatish" (explosion) when news spread that he was implicated in illegal possession of arms. The Islamic Mafia which had detonated the bombs used Sanjay Dutt's residence as the repository for their arms and ammunition. Police were shocked when they discovered stashes of automatic weapons such as machine guns and mausers. They even found hand grenades in some of the stashes! What was truly shocking to the police was the arrogant complicity of Dutt. His @#%$y attitude stemmed from the fact that his father Sunil Dutt was the Mayor of Bombay at one point and had the protection of the Congress Party which itself had innumerable connections with the Islamic Mafia. How shocked Sunjay Dutt must have been, the day he touched down at Sahar and the unyielding cops of Mumbai put him behind bars.

But in the end despite their best attempts, justice was not served. Once again the traitors of Bollywood took out a parade to "protest" the unjust incarceration of Sunjay Dutt. After all they were all accomplices in the big game to serve as support bases for the murderous Islamic India whose only motivation was to slaughter thousands of Hindus in India...

On 9 September 1994, a Division Bench of the Supreme Court held that, in order for Dutt's prosecution to succeed under TADA, the state had to prove that there was "conscious" unauthorized possession, and not merely unauthorized possession, of those arms and ammunition. The accused could, according to the court, prove by adducing evidence that the purpose of his unauthorized possession of such arms and ammunition was wholly unrelated to any terrorist and disruptive activity. In that case, he would be punishable only under the general criminal law and not under Section 5 of TADA. Thus it was India's crummy justice system which can be manipulated and abused by the criminals, which allowed Sunjay Dutt to go scot free for his crimes. What other purpose could a person have to hold caches of sophisticated, unlicensed weapons in his house during a terrorist strike, except to aid and abet that terrorist action???

Why would any person in his right mind need to store AMMUNITION in their private home. But as always the lives of Hindus in India are cheap and India's Bollywood would ensure that the Islamic Mafia's attempts to spread terror throughout the country would always succeed.

Next week we will explore the next rung of the ladder when I describe the deep and abiding relationship that India's most famous and wealthy industrialists share with the Islamic Mafia.

(To be continued...)

Aditi Chaturvedi
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INDIA belongs to JESUS?

INDIA belongs to JESUS?

Chilling experience in Chennai: THIS NATION BELONGS TO JESUS


Evangelical Inculturation- BIBLE becomes VEDA in CHENNAI


Date: Tuesday, July 28, 2009, 9:46 PM

I got this as a forward from someone in Chennai. The situation is worrisome with aggressive behaviour and downright coercion.

What are these American Pastors doing in India?

Amar,

I will tell you the intolerance being spread here in South is growing. Christians are being asked to openly insult Hindus and force their relatives to accept Jesus. There used to be slogans and extracts from Bible on Cars and vehicles so far. But recently they are all turning into instructions : Like " Belive in Jesus and get Saved Otherwise...". In another case I saw the bible being called Veda and Bible classes as Veda Patashala. I am attaching a photo I took while driving. By the way I am carrying a camera with me these days.

However the most dramatic and chilling experience was last week in Chennai. I intercepted an Autorickshaw guy. He had a Map of India very clearly and cleanly cut in white leatherlike material. In it there was an inscription in Tamil : "THIS NATION BELONGS TO JESUS". I cornered this guy with my car. I got down and asked him what is the meaning of it. He started shivering and then feigned ignorance. He said the auto belongs to his owner and that he himself is a Hindu. He had repeatedly asked the Christian owner to remove it. I threatened him with dire consequences and then reported to the local police station before I went to office.

But what I found was chilling he told me that owner's Pastor wanted him to put this on the AUTO and that pastor is an AMERICAN white guy.

CHaps this is getting out of hand and the designs are all there for us to see.

We need to find a way out. I am working on it. I am working with youngsters. THis nation is at risk.